Home Gambling news Discover Halloween Magic with Armadillo Studios’ Latest Slot: Franksylvania

Discover Halloween Magic with Armadillo Studios’ Latest Slot: Franksylvania

Armadillo Studios unveils its latest creation, Franksylvania, just in time for the Halloween festivities. This captivating slot game takes players on a journey inside a vampire’s mysterious mansion.

Key Details of Franksylvania:

  • Rows: 4
  • Reels: 5
  • Paylines: 25
  • Volatility: High
  • RTP: 96%/94.17%
  • Betting Range: 0.25 to 100

Exciting Features Await Players

True to its theme, the game’s protagonist, Frank the vampire, possesses the ability to morph into a bat, turning random reels into wild symbols, enhancing winning chances. Up to four wilds can be achieved.

Frank’s Colossal Reels ability merges neighboring reels, forming 2×2, 3×3, or 4×4 symbols. Moreover, he can elevate lower-value symbols to those with higher payouts.

The game’s excitement doesn’t end there. Accumulating four Blood Vial icons activates the Bloody Party spin, bestowing players with additional rewards. The Scary Bonus symbols are another highlight; securing three initiates the Trail Bonus phase, transporting players to a bonus-filled haunted cemetery.

Armadillo Studios’ Commitment to Innovation

Franksylvania’s debut follows the successful launches of other notable slots by Armadillo Studios, including Joker Classic, Tiki Time Exotic Wilds, and Aladdin’s Rollover Respins, to name a few.

David Stoveld, COO of Armadillo Studios, shared that Franksylvania is their unique take on the classic Dracula tale. The game aims to offer players spine-chilling excitement while presenting opportunities to secure winnings. Guided by Frank, players delve into the supernatural, unraveling mysteries and potential grand prizes, all complemented by top-tier visuals and audio.

In related developments, EveryMatrix, the parent company of Armadillo Studios, has recently integrated content from its in-house studios into betPARX, marking its growth in the US market.

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Oliver Martin

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Oliver Martin/Writer
Charlotte Wilson

Reviewed by

Charlotte Wilson/Reviewer
Noah Taylor

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